June 2016


Collects Loki, Agent of Asgard issues 6-10. Victor von Doom guest stars!

Writer: Al Ewing
Artist: Lee Garbett, Jorge Coelho

This ties-in with the Avengers & X-Men: Axis event. My expectations were very low as soon as I realized this but the issues turned out to be quite fun.

In the first two issues, Loki and Doom butt heads. Loki tries to apologize recent events to his only friend but Doom kidnaps him in the middle of it. Apparently, Doom is convinced that Loki will bring about the end of the world. And so is Valeria who is helping her uncle Doom. Meanwhile, the Red Skull’s hate brainwaves reach Latveria.

In the third issue, it comic is taken over by hero Loki, Agent of Axis! Loki and the Enchantress have turned into good guys and Loki even fights crime in Las Vegas. However, both former villains are very cold and condescending towards their former allies and former friends. So, they definitely behave like brainwashed people rather than heroes. Loki has convinced himself that he can now be a new person and avert his coming fate. This and the next issue happen during the event.

The last two issues deal with the consequences. The Odinson comes to Loki for a heart to heart talk. They almost reconcile but then Loki is forced to admit what he has done. The Odinson drags him to Asgardia for a judgement. And in the final issue the old Loki shows up.

There’s some light musing about the nature of heroes and villains in these issues. The first four are still quite light and fun but the final two issues turns the tables and leaves us with a tantalizing cliffhanger.

The Loki in this collection sees the whole Axis inversion as an opportunity to redeem himself. He even tries to make the Thor-turned-evil to see light again. While this is absurd and fun, it’s not the Loki we saw in Avengers issue 1. But all the time, the older Loki is watching and laughing. That doesn’t bode well for the younger Loki at all, especially in that final issue.

I’m a fan of alternate universes so it was quite fun to see the former villains following noble impulses. But I don’t agree that being a hero or a villain is simply which impulses are stronger in you. But of course I have to find out what happens next.

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The first book in a science fiction series. Doesn’t end in a cliffhanger.

Publication year: 2015
Format: Audio
Running time: 11 hours and 21 minutes
Publisher: Kelt Haven Press
Narrator: Laura Gallagher

Michigan “Mitchie” Long has just completed her mission to retrieve an Artificial Intelligence scientist and send him away from a planet hostile to AI development. Then she receives instructions to sign up to Fives Full. Fives Full is a cargo space ship and after delivering its current cargo, it got a presumably very safe task: to ferry a bunch of tourists to see a nearby planet. However, the task turns up nasty when they’re attacked by people who want to kidnap one of the tourists. Mitchie has to fight alongside the crew to keep them all alive. And that’s just the beginning of her journey on board Fives Full.

In this setting, it seems that the planets have separated into two groups: the Disconnected worlds, which are roughly the more poorer worlds, and the Fusion worlds which are the more developed worlds. The Fusion worlds are paranoid about AIs because of a past event called the Betrayal. So, the ships don’t use AIs. Fives Full is also an analog ship where even the course has to be plotted by hand, with a sliderule, in fact. This of course means that the humans on board have to be well-trained and rely on each other all the time.

This is harder science fiction than space opera usually tends to be and it has a very positive, even heroic vibe. It doesn’t have one story but several connected tasks, like a TV miniseries. I enjoyed them all.

Captain Schwartzenberger runs a tight ship, for a civilian cargo runner. He’s always looking for a way to make some money, and we’re told the reason for this, too. However, he does have a moral compass so he doesn’t do anything for money. The crew includes three other people: the first mate Shi Bingrong, the mechanic Guo Kwan, and Billy the deckhand.

Mitchie is the newest person on board. She seems to be a secret agent but she’s also an exceptional pilot and a navigator. She’s also used to working undercover and lying to people. Of course, she has her own agenda all the time.

The ending ties up most of the plotlines but there is a subplot which feels unconnected and isn’t resolved.

The first book in a science fiction series.

Publication year: 2016
Format: Audio
Running time: 15 hours and 41 minutes
Publisher: Audible
Narrator: Patricia Rodriquez

This is not an action adventure sci-fi. There are no galaxies in peril, no universes on the brink of destruction. But it does have the spaceship Wayfarer and her crew, who are doing their job: creating wormholes which are used as highways for spaceships. And the crew is great! Four humans and three aliens, who have to live and work very closely together and so like each other… mostly. I’ve seen this book described as a “feel-good” book and that fits; most of the people get along well and do their best to be civil with each other. Even governments aren’t just greedy and evil 😉 but made up of people.

Wayfarer’s captain Ashby Santoso needs a certified clerk who can deal with various legal stuff for the ship. Despite the objections of one of his crew, he hires Rosemary Harper who has just graduated.

Rosemary’s excited and nervous because she’s going away from Mars for the first time. She also has a secret which has forced her to falsify her name and leave all of her family behind. Life aboard a spaceship isn’t as hard as she feared, though, because everyone is making her feel welcome. Well, everyone except Artis Corbin. Wayfarer’s engines use algae to move and Corbin is the ship’s algaeist. He doesn’t have anything against Rosemary as a person, but he does object to having on board a person who might put everyone in danger through her ignorance. However, he does have a beef with the ship’s pilot Sissyx. And he just doesn’t like people.

Ashby’s human but instead of a gung-ho mercenary he’s a pacifist, like many humans in this world. He’s called by his first name, rather than “captain”. He’s still responsible for everyone and everything. He also has a non-human lover off-ship so there’s no romantic subplot centering on him.

In fact, this book pretty much does away with many of the elements I don’t like in SF, such as the least professional person aboard being a woman, awkward love triangles (or other toxic romantic clichés), or moronic cardboard characters, especially women. It also has many of the elements I do enjoy, such as fascinating aliens and different cultures.

The aliens in this book aren’t unintelligible, like Cherryh’s methane breathers, but nor are they humans except for the bumps in their heads. Instead, they have their own cultures, which sometimes make the humans uncomfortable, especially when family structures are different, but which aren’t shown as inferior or bad. For example, one species lays eggs which means that their young aren’t helpless from the start and are treated quite differently than human babies. The ship’s doctor belongs to a species where all the people starts out as female and later change into a male.

This is somewhat different structurally from most books because it doesn’t have one overarching plot or character arch. Instead it has several minor arches. Like a season in a TV show. Almost every person on Wayfarer has an arch devoted to him, her, or they. I still wouldn’t call these short stories because they all have impact on the story and happen along the way to the small, angry planet. While the stories aren’t focused on violence, there are some rather tense stories, too. And the ending packs an emotional punch.

This book doesn’t end in a cliffhanger. The next book seems to follow one crew member. (I’m waiting for it eagerly.)

Once Upon a Time X is over!

I signed up for the Quest the First for five books and completed that. In fact, I ended up reading eleven books:

Anne Lyle: Merchant of Dreams (historical fantasy)
Anne Lyle: The Prince of Lies (historical fantasy)
Patricia C. Wrede: Snow White and Rose Red (fairy tale)
Catherynne M. Valente: the Folded World (fantastical history)
Jordanna Max Brodsky: The Immortals (urban fantay)

Sebastien de Castell: Traitor’s Blade (fantasy)
Joanna M. Harris: The Gospel of Loki (Norse fantasy)
Aliette de Bodard: Harbinger of the Storm (Aztec fantasy)
Aliette de Bodard: Master of the House of Darts (Aztec fantasy)
Tim Powers: The Drawing of the Dark (historical fantasy)

Fritz Leiber: The Swords of Lankhmar (sword and sorcery)

I also read seven collected editions of the Prince Valiant comic but reviewed only the first two. I also read a collection of fairy tale comics:
Prince Valiant vol. 1: 1937-1938
Prince Valiant vol. 2: 1939-1940
Fairy Tale Comics: Classic Tales Told by Extraordinary Cartoonists edited by Chris Duffy

I also read two short story collections:
Laura Resnick: Maybe You’ve Heard of Me?
Leslie Anderson ed.: Steampunk Fairy Tales

And one non-fiction about myths:
Elizabeth Wayland Barber and Paul T. Barber: When they severed Earth from the sky: How the human mind shapes myth

Most of the books were good, some of them great, and I had a blast with the Prince Valiant comics.

Collects Loki, Agent of Asgard issues 1-5.

Writer: Al Ewing
Artists: Lee Garbett

The old Loki, god of evil and mischief has died. A new, young Loki has born without the burden of evil. The All-Mother of Asgardia has struck a deal with him: for every mission he does to them, they’ll forget one of his past misdeeds. His first mission is to break into Avengers Tower… and stab Thor! Of course, things aren’t what they look like at the first glance.

His next mission is to bring back missing Asgardian people back to the All-Mother’s embrace. Specifically Lorelai, another mischief deity. On the way Loki meets an interesting human who can see through all likes.

This is a comic that’s all about fun and misdirection on the surface. But a subplot involves the older Loki and that leeches out some of the fun. One comic focuses on Sigurd, Asgard’s first hero, and his Sword of Truth. It retells his story from the Eddas. Sigurd, who is called the Ever-Glorious, but the narrator calls Sometime-Glorious, has a huge chip on his shoulder and is, of course, Loki’s enemy. He’s very much an ancient hero: slayer of dragons and bedder of maidens.

Overall this was a lot of fun, except that it ends quite darkly and has a dark subplot. I enjoyed Loki’s and Lorelei’s relationship and hope to see more of her. In this comic, she’s an accomplished thief who robs banks. Also, the stories use flashbacks quite a lot, so you have to actually pay attention to the story. There comic doesn’t have much violence, compared to the average superhero comic, which was a nice surprise. Instead there’s an Ocean’s Eleven vibe which I’m a sucker for.

On the down side, this Loki has a huge backstory. It’s explained (in a rather entertaining fashion) on the first page but it is rather convoluted. Apparently, I’ve missed his “young” stage after his resurrection.

I’m going to continue reading this one.

Publication year: 2004
Format: print
Page count: 290 (including Bibliography and index)
Publisher: Princeton University Press

In this book the authors claim that myths aren’t meant to be literally true but neither are they fiction, in the modern sense. Instead they’re a way of transmitting important information in the next generation in societies which haven’t invented written word yet. Such as volcano eruptions or floods. Also, travelers needed knowledge about stars and constellations to navigate even before anything about them was written down. Modern, western people have taken to literacy so well that we’ve forgotten how to “view” myths from the point-of-view of pre-literate societies so we can’t decode them anymore.

The Barbers compare and contrast myths, such as Loki and Prometheus. They have six “Myth Principles” (and lots more sub principles) which explain the main things that the pre-literate people saw from their point-of-view, how people chose to believe such myths, etc. For example, the Principle of Silence states that the storyteller would not repeat information which the audience already knew, and indeed if he had repeated it, the story would have been less memorable and less likely to be repeated over the years. Unfortunately, this makes myths hard to understand by people who don’t know what’s missing.

Everyone’s memory is limited. That’s why myths have to be memorable and yet carry relevant information to the people telling them. Of course, it also means that people have to select which info to remember.

This is a fascinating book. It’s easy read and has examples from all over the world. Most of the myths come from Greek, Roman, Native American, and Norse cultures, but some others are included as well. I found their arguments persuasive but I doubt that all myths come from natural disasters. Some readers might be disappointed that even dragons have natural origins; although they’re different in different cultures. For example, Smaug-type German dragons who live underground and horde treasure might come from thieves (or heroes) braving into burial mounds and “fighting” with toxic gasses to get the burial goods.

Interestingly enough the writers point out how this mythical thinking can be applied to modern myths as well, such as ufos and other urban legends.

This is a collection of seven retold fairy tales in steampunk settings. I wasn’t familiar with any of the authors before.

Publication year: 2016
Format: ebook
Page count: around 100

The Clockwork People by Angela Castillo: Mr. Streusel builds toys whom all the children love. He lovingly crafts a clockwork boy and calls it Pieter. Then Pieter starts to move in his own.

Perfection by Chris Champe: Mary used to be a wonderful pianist but she had an accident which left her weak and unable to play. Her husband builds automatons which move like humans but much of his time goes to support Mary. One day, Mary realizes that her piano has been taken away and she searches the labyrinthine house for it.

The Mech Oni and the Three-Inch Tinkerer by Leslie and David T. Allen: Issun Boshi was born to an elderly couple. He was wanted but he was also tiny, only three inches tall. When he’s sixteen, he leaves his parents to become a samurai.

The Copper Eyes by Allison Latzko: Oliver is the youngest son of his inventor mother. Unfortunately, his mother has lost her mind: she has built Oliver’s brothers into her inventions. Oliver has no choice but to run away.

Strawberry Sins by Heather White: Dr. Samuel Wolfe and Dr. Fermin have been working together to make a formula which will change a man to something else and back again. Unfortunately, the formula which is supposed to turn Wolfe back to a man didn’t work and he despairs. He feels his mind is starting to deteriorate. But then Fermin’s daughter appears and starts to help him.

The Yellow Butterfly by Ashley Capes: Takashi works in a factory for a cruel and demanding boss, Mr. Nishimura. But when Nishimura closes the factory, the former workers have to move or starve. Nishimura’s daughter tries to help the men but she might make things worse.

Aubrey in the World Above by Daniel Lind: Aubrey lives in a world where thieves are sent to the World Above and forced to serve the people there. Her mother has just been condemned and her cruel father forces her to witness how the giant beanstalk springs up and spirits her mother away.

I didn’t recognize all of these stories as familiar fairy tales but I did enjoy them even though none of them were exceptional. The most recognizable ones have interesting steampunk twists. Two of them are based on Japanese fairy tales which I’m not familiar with. Interestingly enough, I thought that Strawberry Sins was based on quite another story until I got the end of the book where each writer reveals the fairy tale his or her story is based on. The book has excerpts from some of the writers’ other books.

Most of these stories are pretty dark, but I guess that’s appropriate for stories with “punk” in them. A couple of them have actually a gothic horror feeling. They have cruel family members and mad scientists. Yet, they all have hope in them, too. “The Clockwork People” and “The Mech Oni and the Three-Inch Tinkerer” are the least grim and “The Copper Eyes” even has an amusing twist on the damsel in distress trope.

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