2019 comics challenge


A horror manga.

Writer and artist: Sui Ishida
Finnish translation: Suvi Mäkelä

Ken Kaneki is shy and a loner. His only friend is “Hide” Hideyoshi Nagachika. They’ve been friends since they were children and are now first year collage students. They live in a world where ghouls are real. The ghouls can pass as humans but since they can only eat human flesh, they attack and kill humans.

Ken has a crush on a beautiful, bookish girl who goes to the same coffee shop. He can hardly believe his luck when he gets a date with her, to talk about books. But during the date, she lures him to a secluded place and reveals that she’s actually a ghoul, only interested in him as dinner. However, when Ken tries to run, an accident happens which leaves her dead and him close to death. When Ken regains consciousness in a hospital, he realizes that the doctor has made an illegal operation and put some of the girl’s organs to Ken, to safe his life. Ken is now a half-ghoul who can’t stomach foods and only craves human flesh!

However, he doesn’t want to do that. He feels completely alone, craving for human company but afraid that his new condition will be found out.

Ken is a bookish main character and has ever fought in his life. The ghouls seem to fight for territory and he’s lost in this new culture. The ghouls seem animal-like to him and he’s clearly afraid of them. We’re introduced to three ghouls, in addition to the girl Ken went on a date. They all look like humans and Ken is surprised when he realizes how many people around him are actually ghouls. All of them despise Ken.

Ishida handles urban loneliness through supernatural lens. The tone it serious and focuses on horror.

It was interesting enough read but I don’t think I’ll continue with it.

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A one-shot.

Writer: Roger Stern
Artists: Steve Rude, Al Milgrom

This was a far more typical meeting of characters from different comic publishers, than Fantastic Four and Superman. It came out in 1999. The story starts with Clark quickly recapping the Hulk’s origin and comparing it with his own. The actual story is set in a modern world, mostly show with the use of cell phones because the aesthetics are reminiscent of 1950s, clearly wanting the reader to connect the story with the early careers of both characters. Also, Hulk and Superman just inhabit the same world, no explanations. Almost all of the story is a flash-back which Clark is telling Lois, even though she was there.

The story is set very early in Hulk’s time line when nobody yet knew that Banner was Hulk and General Ross had hired him to track down Hulk. Banner can’t control the change, either.

Clark is also quite young, competing as a reporter against Lois who doesn’t know who he is.

Hulk has been seen in New Mexico and Lois heads out, followed shortly by Clark. Banner turns to Hulk and clashes briefly with Superman. Luthor is also at Ross’ base; he wants to direct Hulk’s strength and fury against Superman.

I very much enjoyed Rude’s art and it’s very appropriate for the early versions of both characters. However, while the story fits well with both characters and their supporting cast at the time, it’s very basic.

Collects issues Aquaman Rebirth 1-7.

Writer: Dan Abnett
Artists: Oscar Jimenez, Brad Walker, Scot Eaton, Philippe Briones, Mark Morales, Andrew Hennessy, Wayne Faucher

The first issue is an introduction to Aquaman and the way he’s torn between Atlantis and the surface world. As the king of Atlantis, he’s trying to get better relations between his country and USA. (Why he wouldn’t pick, say, Canada or Britain, well… it’s a US comic so apparently there was no chance of that??)

The plot really starts in the second issue. Arthur has built an Atlantean embassy on US soil, called Spindrift Station, and the Black Manta attacks it. Still, Arthur is blamed for the supervillain’s actions. When Arthur and Mera walk into the White House, wanting to talk, they can’t see the president. Instead his chief of staff delays them while whining about protocol and then they hear that a US ship has been attacked. An Atlantean sword is left behind, an obvious way to implicate Arthur’s people. But the US diplomats fall for this act and arrest Arthur, over Mera’s objections.

Would they have arrested any other head of state? No. But later we get a prison break and an excuse for Superman to get involved. Also, Black Manta joins a shady criminal organization.

I can appreciate that Arthur is in a very difficult situation. Some of his people don’t want anything to do with the surface world; some loath them (rightly) because of pollution. Humans fear Atlantis because they’ve attacked before. Still, I think the international politics weren’t handled well. It does show how Arthur is doing his best to keep the peace while seemingly everyone else wants a war.

The best thing about the comic was Mera. She’s clearly her own person. She doesn’t care for the surface people but agrees to work with them because Arthur wants it. She’s got a temper, too. I loved their relationship and I’m really hoping that DC isn’t just going to fridge her.

I did enjoy reading this, mostly because of Mera. I haven’t read Aquaman before so I don’t know how different it’s from previous incarnations. But anyone expecting Arthur to look like Jason Momoa is going to be disappointed.

FF one-shot. Part of DC/Marvel cross-over classics vol 4.

Writer and artist: Dan Jurgens
Supporting Illustrator: Art Thibert
Cover Illustrator: Alex Ross

While cleaning up, I found a stack of old comics and decided to read through them to see what I’d keep.

This was short, fun read. It came out in 1999. Frustratingly, this doesn’t seem to be the first time that the FF and Superman have met because they already know each other.

While Superman is dealing with a bunch of terrorists who have brought a nuclear bomb to Metropolis (not a bright group), he receives a message crystal from his father, Jor-El. Jor- El reveals that Galactus was responsible for Kryton’s destruction! Superman wants answers and he heads to Access where he can apparently cross-over to the Marvel universe.

The Fantastic Four are happy to see him again, especially Franklin who loves to watch Superman cartoons and is very happy to really meet his hero. The FF are no longer living in Baxter Building but on Pier Four in the harbor. Suddenly, a bright light comes from the crystal and the FF’s equipment start attacking everyone. Also, the Cyborg Superman appears, boasting that he took over the machines. Before the machines can be smashed, a strange satellite appears and bathes Superman is a clear light and makes him into Galactus’ herald! Reed tries to interfere and the satellite kidnaps them both. Cyborg Superman has a way to modify the FF’s space ship so that they can travel to Galactus. Very reluctantly, Susan, Johnny, and Ben agree to work together with the metallic villain and they head into space.

Hank Henshaw, the Cyborg Superman, craves Galactus’ power and thinks that he can get that by becoming Galactus’ herald. He’s furious that Galactus chose Superman instead of him. He constantly taunts the FF. Susan and the rest of the FF are determined to get Reed back and also to rescue Superman, if they can.

This was a fun little story. It was very nice to the heroes working together rather than fighting against each other, usually over some silly misunderstanding, as they’re far more likely to do in cross-overs, both inside a company and especially between companies.

Collects issues 1-5 for JLA Rebirth.

Writer: Bryan Hitch
Artists: Bryan Hitch, Tony S. Daniel, Jesus Merino, Sandy Florea, Daniel Hernandez, Scott Hanna, Andy Owens

I’ve become quite skeptical of these rebirths, mainly because the characters don’t change; they’re just younger. That was exactly what happened with the previous DC relaunch where the JLA members met for the first time, again. I guess that’s done in order to attract new, younger readers. Or maybe some old readers feel younger again when reading about younger character. But I like the old continuity and I’m often sorry to see it’s messed with.

While most of the JLA members are the same (Batman, Wonder Woman, Aquaman, Cyborg, and the Flash) I was delighted to see that two members were different. Superman has apparently died. However, another Superman and his family have come from another dimension. Clark and Lois are married and have a son. Batman is, of course, very suspicious of the new Superman, to the point of excluding him unless he’s very much needed while still wanting to keep Superman as part of JLA. However, that’s pretty much pointless because when we see the (brief) interactions between Lois and Clark, it’s pretty clear that they’re the same characters, with the added responsibility of a son.

Another difference are the Green Lanterns. Apparently, Hal gave his job to Jessica Cruz and Simon Baz who are now the junior members of the League and trying their best to measure up to the more experienced heroes. So, the core group of the same characters trust each other implicitly but the new characters add some uncertainty, but not a lot. It’s still way better than the previous relaunch.

The first issue is a stand-alone, where the JLA gets together to fight a menace from space (yay! I always love those!). The menace turns to be a “Reaper” which is trying to harvest humanity and it’s only the first of many.

The rest of the collection deals with the titular Extinction Machines. Earthquakes are doing damage all over the world, at the same time. JLA struggles to respond. Also, humans around JLA members are behaving strangely and their powers are failing. However, Cyborg finds out that the earthquakes aren’t natural. So the JLA rallies against a very powerful threat.

I rather enjoyed the “new” JLA even though we only get to know the new Superman a little and not the new Lanterns at all. Superman is the only character which is introduced a little, so I don’t recommend this for new readers. (Which is a bit strange for a relaunch.). I enjoyed seeing the heroes struggling against natural forces which isn’t done too often. Essentially, the longer story feels like a blockbuster movie, going forward at a breathless pace.

Collects issues 0 and issues 1-5 of Lady Mechanika miniseries.

Writer and artist: Joe Benítez

This is a very interesting comic set in a steampunk world. There’s a mention of werewolves and the mechanical humans are an amalgam of humans and steampunk machines but no other magical stuff.

The first issue in the collection is issue 0, where Lady Mechanika meet the monster of Satan’s Alley. In it, we’re introduced to most of the cast. Lady Mechanika is hunting a monster which has been haunting the street called Satan’s Alley. She’s listening in on the mercenaries which Blackpool Armament has hired. She manages to catch the creature before them. She fights the creature but then she realizes that the “creature” is an intelligent being who is just hungry and scared. He’s a boy who has been created by someone he calls “master”. He’s half human and half mechanical creature. To Lady Mechanika’s surprise, he remembers meeting her. She doesn’t remember him but then she doesn’t remember her past. But before he can tell her more, lord Blackpool’s mercenaries shoot him.

Lady Mechanika fights with Blackpool and the mercenaries. She also meets a timid young doctor Littleton. Blackpool is established as the main villain who wants world domination through machines.

The rest of the story starts a year later. A young woman with mechanical arms is trying to escape from a group of men in dark, military-like outfits. She jumps to a train which takes her to Mechanica City. However, she dies at the train station. Lady Mechanika thinks that she might be related somehow to her own origin so she starts to investigate. She meet again doctor Littleton and this time she also meets his young daughter. Later, she tries to steal the corpse from Ministry of Health’s building but someone knocks her out and takes the corpse. Lady Mechanika is left behind to deal with Commander Katherine Winter who has just one eye and long, flowing red tresses. Apparently, they knew each other previously and have grudges against each other (probably about a man). The Lady shoots the commander’s troops and leaves. She follows the mechanical corpse’s previous escape route to a Romani Circus (Circue du Romani). She finds the gypsies similar to herself: they’re shunned by others just because they’re different and they keep secrets.

The Lady (we never find out any other name for her) has a close colleague, Lewis, who drinks all the time. He seems to be a mechanical genius and builds all sort of gadgets for her. We briefly find out about his tragic background and reason behind the drinking. The Lady is determined to find out about her past and to stay independent from anyone else. She’s an excellent shot and hand-to-hand combatant. She wears man’s clothing while on the job, but she wears large skirts and tight Emma Frost type corsets at other times, probably to fit in to this pseudo-Victorian world. She also takes part in a masked ball where she wears a very detailed dress and mask.

Unfortunately, the women have impossible figures and pouty lips, and the lady herself is contorted to impossible positions when fighting, in high heels. Otherwise, the art is very nice and very detailed. The mechanical body parts were especially nicely done.

This was a fun romp. I liked the rivalry between Mechanika and the commander .Although it was quite a let down when the hints in the dialog established that is was just over a man. I also quite enjoyed the precocious girl who knows all about Lady Mechanika (presumably from reading fiction about her) and doesn’t believe that Mechanika is herself. She was hilarious. I also love a good masked ball where the heroes and villains meet and can talk without knowing (or at least pretending) they don’t know who the other is. It was far too short in this comic but I really liked it while it lasted.

Collects issues 1-5 of Through the Mirror.

Writers: David Tipton and Scott Tipton
Artists: J. K. Woodward, Marcus To, Chris Johnson, Josh Hood, Carlos Nieto, Débora Caríta
Publication year: 2018
Publisher: IDW

I’m a fan of alternate universes. This comic is set in Star Trek’s Mirror universe and in the same timeline as the Deep Space 9 Mirror episodes. It’s a sequel to the Mirror Broken comic.

The story starts with Worf and a couple of Enterprise-D’s security people doing an inspection of Starfleet mining facility on Naia VII. Someone has been stealing equipment and the mined resources. At first, the Enterprise people don’t notice anything strange but then Worf sees an Enterprise crewman, Jones, who shouldn’t be there. And he’s has goatee! When Worf tries to talk with Lieutenant Jones, he fires on Worf and his people. They chase him but he managed beam away, together with Commander Riker, who has two braids on his beard and La Forge who has artificial eyes instead of his visor.

Back on the Enterprise, Lieutenant Jones denies leaving the Enterprise and the logs back him up. However, the Enterprise receives a distress call from an Andorian battle cruiser. They’re very tough so the crew has bad feelings about it. They find the cruiser has only a few survivors and they accuse humans of attacking them. The ship has been stripped of everything of use. On the security logs, Riker and Picard are shocked when they see their own faces.

Then we switch to the Mirror universe crew. Their Picard has a bold plan: to infiltrate Enterprise-D, force the crew to abandon ship, and take the Enterprise for himself. To do that, he sends inquisitor Troi and Lieutenant Reg Barcley to Enterprise-D.

This was fun. Our crew figured pretty quickly what was going on. The Mirror universe crew used a (regrettably short but hilarious) holoprogram to train Barcley to interact in our universe, or at least the way they thought the “our” universe would be like. Everyone would complement everyone all the time. Also, the infiltration duo has first season’s uniforms so Troi is in the short skirt uniform with a head band. That was really a blast from the past! Unfortunately, the interactions between the Mirror crew and the Prime crew were far too short. Beverly was barely there at all and even Wesley was just working on the background.

The final story is “Ripe for Plunder” which is set some months before the main story. In it, Data goes looking for Emperor Spock. This was also a fun little story, with only Picard and Data appearing from the TNG crew. It was a little shocking to see how ruthless this Data is.

“Ripe for Plunder” is the only story with painted art and for some reason it seemed to fit the story and characters much better than in the previous collection. The main story has more ordinary art by several artists which was mostly ok.

I felt that the story was too brief. I would’ve loved to see more interaction between the crews. Especially when Troi went to Enterprise-D, I was looking forward to her confronting “our” Troi but that didn’t happen. She did meet Riker but that was far too brief. I was kind of disappointed with Barcley’s big role because I would have wanted to follow a more prominent character. He did find out how the crew treats the “our” Barcley and wasn’t too pleased with it. In fact, the story ends with a cliffhanger. Happily, the Humble Bundle’s Star Trek bundle does have Terra Incognita so I’ll be soon diving in to that, even though it promises more Barcley. (I don’t hate him or anything, he’s just one of the least interesting choices as the focus character.)

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