DC comics


Collects the first Superman versus Aliens miniseries.

Writer: Dan Jurgens
Artists: Dan Jurgens, Kevin Nowlan

Just like I predicted, to make the aliens at all threatening, Superman must lose his powers.

Lexcorp has a space program. Lois and Clark have been invited to interview the head of that program, doctor Sheryl Kimble. She’s an ambitious scientist (and I’m sure you all know what that means in the context of aliens…. :)). Lexcorp has captured a message from space. It’s in unknown language but Clark recognizes it as Kryptonian and as a distress call. When the probe which sends the distress call splashes into the ocean, Clark rescues it. It makes a mental connection with him and sends images of a surviving Kryptonian city which is badly in need of help. Reluctantly, he allows Lexcorp to investigate it.

Lexcorp has a hyperspace capable small space ship. Clark takes it and heads to the city which is on an asteroid, far way from any sun.

There he finds that the city has been ravaged by alien monstrosities. He finds four unconscious survivors, who look human (or Kryptonian). He puts them in the ship and sends them back to Earth while he remains to explore the city. He’s not any longer under a yellow sun so his powers diminish quickly. He’s attacked by aliens who burn his eyes. A blonde young woman, Kara, saves him. Kara tells him that the aliens have been attacking the city for years and she grew up as a soldier. Clark wants to find a way to help her and the rest of people who are out of food and medicine.

Meanwhile on Earth, the ship has returned. Of course, all the “survivors” have been infected. The aliens burst out and start to attack everyone.

This exactly what you expect from a cross-over. Superman fights increasingly desperately against hordes of aliens with Kara by his side. Kara is an experienced soldier even though she’s only 16. In the ship, on the way to the city, Clark reminiscens how he was forced to kill his fellow Kryptonians before and is determined never to kill again. Even when fighting the aliens, he tried not to kill them. When he first meets them, he tries to talk to them, so he’s very much in character. Meanwhile, Lois tries to survive the aliens and is determined to kill them. She lectures Kimble who wants keep the aliens alive for research.

The art is solid and brings out the horror of the aliens. This cross-over works surprisingly well even though it has pretty much all the expected aliens plot points.

Collects the first Batman/Aliens miniseries.

Writer: Ron Marz
Artists: Bernie Wrightson

The story starts with Batman parachuting down to the Amazon jungle at the border of Guatemala and Mexico. After wrestling with a crocodile, he meets five elite soldiers who are on a secret mission. Batman himself reveals only that he’s there to rescue someone. The leader of the soldiers, Sealey, is very hostile toward Batman while the only female soldier, Hyatt, stops Sealey from posturing and gets them to focus on the mission. After a while, they stumble on Mayan ruins and next to them is a spaceship. They find the body of a humanoid alien whose chest has been torn open from the inside. They continue to the ruins and are soon face to face with the terrible Aliens.

This is exactly what you expect from a comic like this. The soldiers include a belligerent commander, a religious man, and the woman who wants to prove herself. There’s also an obligatory twist that one of them betrays the others. The coolest thing are the Aliens and Batman fighting them.

The art is great. Wrightson is co-creator of Swamp Thing and has illustrated a lot of horror comics. I really like his Batman and he draws great Aliens.

Collects issues Aquaman Rebirth 1-7.

Writer: Dan Abnett
Artists: Oscar Jimenez, Brad Walker, Scot Eaton, Philippe Briones, Mark Morales, Andrew Hennessy, Wayne Faucher

The first issue is an introduction to Aquaman and the way he’s torn between Atlantis and the surface world. As the king of Atlantis, he’s trying to get better relations between his country and USA. (Why he wouldn’t pick, say, Canada or Britain, well… it’s a US comic so apparently there was no chance of that??)

The plot really starts in the second issue. Arthur has built an Atlantean embassy on US soil, called Spindrift Station, and the Black Manta attacks it. Still, Arthur is blamed for the supervillain’s actions. When Arthur and Mera walk into the White House, wanting to talk, they can’t see the president. Instead his chief of staff delays them while whining about protocol and then they hear that a US ship has been attacked. An Atlantean sword is left behind, an obvious way to implicate Arthur’s people. But the US diplomats fall for this act and arrest Arthur, over Mera’s objections.

Would they have arrested any other head of state? No. But later we get a prison break and an excuse for Superman to get involved. Also, Black Manta joins a shady criminal organization.

I can appreciate that Arthur is in a very difficult situation. Some of his people don’t want anything to do with the surface world; some loath them (rightly) because of pollution. Humans fear Atlantis because they’ve attacked before. Still, I think the international politics weren’t handled well. It does show how Arthur is doing his best to keep the peace while seemingly everyone else wants a war.

The best thing about the comic was Mera. She’s clearly her own person. She doesn’t care for the surface people but agrees to work with them because Arthur wants it. She’s got a temper, too. I loved their relationship and I’m really hoping that DC isn’t just going to fridge her.

I did enjoy reading this, mostly because of Mera. I haven’t read Aquaman before so I don’t know how different it’s from previous incarnations. But anyone expecting Arthur to look like Jason Momoa is going to be disappointed.

Collects issues 1-5 for JLA Rebirth.

Writer: Bryan Hitch
Artists: Bryan Hitch, Tony S. Daniel, Jesus Merino, Sandy Florea, Daniel Hernandez, Scott Hanna, Andy Owens

I’ve become quite skeptical of these rebirths, mainly because the characters don’t change; they’re just younger. That was exactly what happened with the previous DC relaunch where the JLA members met for the first time, again. I guess that’s done in order to attract new, younger readers. Or maybe some old readers feel younger again when reading about younger character. But I like the old continuity and I’m often sorry to see it’s messed with.

While most of the JLA members are the same (Batman, Wonder Woman, Aquaman, Cyborg, and the Flash) I was delighted to see that two members were different. Superman has apparently died. However, another Superman and his family have come from another dimension. Clark and Lois are married and have a son. Batman is, of course, very suspicious of the new Superman, to the point of excluding him unless he’s very much needed while still wanting to keep Superman as part of JLA. However, that’s pretty much pointless because when we see the (brief) interactions between Lois and Clark, it’s pretty clear that they’re the same characters, with the added responsibility of a son.

Another difference are the Green Lanterns. Apparently, Hal gave his job to Jessica Cruz and Simon Baz who are now the junior members of the League and trying their best to measure up to the more experienced heroes. So, the core group of the same characters trust each other implicitly but the new characters add some uncertainty, but not a lot. It’s still way better than the previous relaunch.

The first issue is a stand-alone, where the JLA gets together to fight a menace from space (yay! I always love those!). The menace turns to be a “Reaper” which is trying to harvest humanity and it’s only the first of many.

The rest of the collection deals with the titular Extinction Machines. Earthquakes are doing damage all over the world, at the same time. JLA struggles to respond. Also, humans around JLA members are behaving strangely and their powers are failing. However, Cyborg finds out that the earthquakes aren’t natural. So the JLA rallies against a very powerful threat.

I rather enjoyed the “new” JLA even though we only get to know the new Superman a little and not the new Lanterns at all. Superman is the only character which is introduced a little, so I don’t recommend this for new readers. (Which is a bit strange for a relaunch.). I enjoyed seeing the heroes struggling against natural forces which isn’t done too often. Essentially, the longer story feels like a blockbuster movie, going forward at a breathless pace.

Collects Wonder Woman (vol 3) issues 40-44.

Writer: Gail Simone
Artists: Aaron Lopresti, Matt Ryan, Chris Batista, Fernando Dagino, Doug Hazelwood, Raul Fernandez, Nicola Scott

Simone’s final collection has again two story lines. Murder of Crows is a two-part story guest-starring Power-Girl. The five (male) children of Ares and some of the Amazons have apparently mind-control powers. They talk to people and make them believe what they want, even inciting violence. They start with twisting Diana’s heroic battles by questioning if she was heroic or if she was working with the villains in the first place. Then they use their power on Power-Girl and twist her against Diana. The lasso of truth plays a big part, of course.

The final story line is the Wrath of the Silver Serpent where an alien armada comes to Washington and only Diana and her friends can stop them. This story hails back to second story line in “The Circle.” A couple of Green Lanterns find a world devastated and the destroyers are heading to Earth. The space ship makes a force field around Washington DC. so nobody can get in or out. So, only Diana, Achilles, the gorillas, and the remnants of the DMA can resist the Citizenry.

The Citizenry have huge silver snakes which can destroy whole cities and in the end, they will ground the whole planet into food and fuel for the Citizenry and their ships. But their leader turns out to be a more personal menace to Diana: she’s Diana’s aunt Astarte.

This was a good ending to Simone’s run. Once again, Diana shows her strengths as a warrior, a diplomat, and a strategist. She’s confronted by a horrible nation where children are turned into remorseless killers from a young age. Yet, she finds compassion for them and offers peace before she’s forced to use violence. Still, there are a couple mysteries which were left unsolved. The biggest being Astarte’s history; she remembers herself and Hippolyta as children while in this incarnations, they were all created as adult Amazons. Also, we don’t get to see Hippolyta’s and Astarte’s meeting after being apart for 3000 years.

Still, I quite enjoyed Simone’s run.

Collects Wonder Woman (vol 3) issues 33-39.

Writer: Gail Simone
Artists: Aaron Lopresti, Matt Ryan, Bernard Chang

This collection has two story lines. The first is a two-part story “Birds of Paradise” where Diana finds out that Genocide isn’t dead but someone is hiding the body in Tokyo, in a metahuman fight club. She asks the Black Canary to show her the ropes and together they go to the fight club, undercover. In the second one, several story lines get a conclusion when Diana confronts Achilles and eventually Zeus.

The first two issues are campy fun. Diana and Dinah dress up as slutty wrestlers to hide their identity. Dinah says: “We look like high-end trashy hookers in a Tarantino nightmare… Perfect!” However, they don’t find Genocide. Instead, they find Dr. Psycho and Director Steel and the goddess of violence who wants revenge.

When Diana returns home, she has a talk with Tom. Earlier, she admitted that she doesn’t love Tom, but she wants to have children with him. So, Tom breaks up with her. Luckily, Diana can vent her frustration on Giganta but then she and Giganta have a bonding moment over their dissatisfaction of their love lives and they team up to take down Achilles’ peace party. Achilles threatens Hippolyta and Diana backs down. But then Diana realizes that she must confront him and heads to Themiscyra.

Zeus is going to retire the Amazons. In order to do that, he resurrected some of Greek mythology’s greatest heroes, including the Argonauts. He also created Achilles to be the king of the Argonauts and the Amazons. Zeus is apparently the only one to be surprised when the Amazon are very dissatisfied with that. Hippolyta agrees to step down because that’s the will of her gods. However, Alkyone, the villain from Simone’s first WW story, agrees to marry Achilles, legitimizing his rule. Alkyone was the captain of Hippolyta’s guard but she hated Diana so much that she (and her three loyal Amazons) tried to kill Diana when she was an infant. The four were imprisoned. Why Achilles would think that they somehow represent the Amazons, is beyond me. However, Alkyone is a great villain and her actions are understandable. Since this is a superhero comic, it all leads to a huge fight between Diana and Achilles, with the Argonauts and Amazon caught in the middle, choosing sides.

I’ve got mixed feelings about this collection. The first two issues were campy fun but didn’t really add to the story line much and the whole retrieving Genocide’s body was forgotten in the second issue. I loved the main villain in the second issue; Diana agreed to make amends to her and no doubt her choice will come back to haunt her. I’m happy to see Tom go but was baffled with Diana wanting to settle down and have kids. I guess that’s supposed to show her “human” side, make her more relateable. But I don’t remember anyone else taking this angle with Diana. And she seemed to have misled Tom a lot, which was very out of character for her. I liked most of the conflict Zeus created and the Argonauts ended up not so villainous, after all, which was a nice touch. I’m glad that Donna also got her chance to shine and that the conflict between her and Diana was resolved. A good, solid ending for Alkyone’s story that started in the Circle. She’s one of the best WW villains.

One more Simone collection to go. I must confess that I enjoyed Birds of Prey much more. Also, Simone’s collections aren’t stand alone. Definitely start with the Circle to get the most out of the stories.

Collects Wonder Woman (vol 3) issues 26-33.

Writer: Gail Simone
Artists: Aaron Lopresti, Matt Ryan, Bernard Chang

Simone changes the status quo of the Amazons and their gods in this story. The Hollywood story at the end of the previous collection was a comic breather and now the story is much grimmer.

The Greek gods return to Earth. Apparently, they’re aliens. Darkseid and his underlings have fouled Olympus and on top of that humans, and even the gods’ supposed champion Diana, have abandoned them. The gods are unhappy to say the least. But Zeus has a plan. A terrible plan.

On Earth, Director Steel’s paranoia grows. He sends agent Diana Prince and her team to a mall which has been destroyed by a new superbeing called Genocide. However, Steel claims that he has another job for Tresser who stays behind. However, as soon as Diana is gone, Steel tries to arrest Tresser. But Tresser escapes and is now a wanted fugitive.

Meanwhile, the villains in Secret Society are scheming against Wonder Woman. Cheetah has convinced Dr. Morrow to create something even he’s afraid of.

When Wonder Woman fights Genocide, she realizes that Genocide is or was a deity. Genocide has an aura that makes people despair and she kills a lot of people. She defeats Diana, beating her near to death. Troia and Wonder Girl are called to help her but Genocide continues her rampage to the DMA itself.

This is an intense and grim story. The Greek gods almost literally stab the Amazons in the back when Zeus creates a new group of elite soldiers to serve him, intending to replace the Amazons. They, the Olympians as they’re called, are trying to force the world to become peaceful. Which never works.

Diana faces her most difficult challenge yet when she not only fails to stop Genocide but must lead her friends against the murderous being while grievously wounded. Genocide is a very good villain to challenge WW and more than worthy addition to her rogues’ gallery. It’s also great that she’s not as sexualized as female villains tend to be. Her face isn’t shown, her hair is short and spiky, she doesn’t have a cleavage; in fact her skin isn’t showing much at all. She’s scary and not in a sexy way. However, I can’t help to think that there should have been some more dramatic way to tell her origin, at least to the readers if not to Diana.

The ending is mostly satisfying with some emotional drama and mostly likely a new direction for Diana.

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